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Live television programs. --- Motion picture theaters.

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In this authoritative work, Seiler and Seiler argues that the establishment and development of moviegoing and movie exhibition in Prairie Canada is best understood in the context of changing late-nineteenth-century and early-twentieth-century social, economic, and technological developments. From the first entrepreneurs who attempted to lure customers in to movie exhibition halls, to the digital revolution and its impact on moviegoing, Reel Time highlights the pivotal role of amusement venues in shaping the leisure activities of working- and middle-class people across North America. As marketi

Motion pictures -- Social aspects -- United States. --- Motion pictures --- Motion picture theaters --- Music, Dance, Drama & Film --- Film --- Social aspects --- History --- Economic aspects --- History. --- Cinemas --- Movie theaters --- Moving-picture theaters --- Theaters, Motion picture --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- History and criticism --- Theaters --- Audio-visual materials --- Mass media --- Performing arts --- Prairies --- Theatres --- Nickeolodeon

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Opera --- Theaters --- Production and direction --- History. --- Stage-setting and scenery --- Europe --- History

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"An inside look at London's Tricycle Theatre which with its series of verbatim plays has made a significant contribution to contemporary political theatre"--

Theatrical science --- anno 2000-2099 --- London --- Theaters --- Political plays, English. --- English drama --- Performing arts --- Theater --- History & Criticism. --- Tricycle Theatre --- History.

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Sound is born and dies with action. In this surprising, resourceful study, Mladen Ovadija makes a case for the centrality of sound as an integral element of contemporary theatre. He argues that sound in theatre inevitably "betrays" the dramatic text, and that sound is performance. Until recently, theatrical sound has largely been regarded as supplemental to the dramatic plot. Now, however, sound is the subject of renewed interest in theatrical discourse. Dramaturgy of sound, Ovadija argues, reads and writes a theatrical idiom based on two inseparable, intertwined strands - the gestural, corporeal power of the performer’s voice and the structural value of stage sound. His extensive research in experimental performance and his examination of the pioneering work by Futurists, Dadaists, and Expressionists enable Ovadija to create a powerful study of autonomous sound as an essential element in the creation of synesthetic theatre. Dramaturgy of Sound in the Avant-garde and Postdramatic Theatre presents a cogent argument about a continuous tradition in experimental theatre running from early modernist to contemporary works.

Stage design. Scenography --- Theaters --- Experimental theater --- Avant-garde (Aesthetics) --- Théâtres --- Théâtre expérimental --- Avant-garde (Esthétique) --- Sound effects. --- History and criticism. --- Effets sonores --- Histoire et critique --- Théâtres --- Théâtre expérimental --- Avant-garde (Esthétique) --- Aesthetics --- Modernism (Art) --- Alternative theater --- Avant-garde theater --- Theater --- Sound effects in theaters --- Electronic sound control --- Stage-setting and scenery